Here are a few photos of a 150 page book I’ve just finished printing and binding for a friend. It’s 12.5 x 9.0 x 1.5″ in size, consists of nine hand-sewn signatures and is finished in red Italian book cloth with marbled endpapers by my friend Enrico Giannini, a fifth generation Florentine bookbinder. The book layout and design was done in InDesign and the paginated pages printed on Hahnemühle Book and Album paper.
I’m currently in the middle of a great project for a local artist, Peter Latner, (a photographer who still works with medium and large format film) as part of his Minnesota State Arts Board Artist Initiative Grant that he received.
The project will involve an small edition of clamshell cases that each hold 58 gelatin-silver prints hand-printed by Peter, which are stunningly beautiful. I’m debossing 4-ply Museum board and dry-mounting the prints into the resulting plate mark. There will also be a title page, statement and colophon. Once I’ve mounted the prints and printed the text sheets I’ll have a better idea of the exact depth required, then I can start making the cases. That number of mounted prints will result in a nice, substantial case that’s about 4.5” deep. I’m going to try and post more images of the production as we progress over the next few weeks!
Just a small section of 300 sheets of Museum board.
A stack of prints ready for dry-mounting.
Detail of the debossing with space for numbering.
It’s a start…
This is clamshell case I recently made with artist Lisa Nebenzahl. Besides needing a case to present both her prints and 3D constructions, Lisa wanted to learn the craft of making boxes and cases, so we worked on the project together. The case measures 13.5 x 19.5 x 4” with a removable set of dividers and a panel to separate the prints. It’s finished in Cadet Blue Japanese bookcloth with matte gold foil stamping.
More information and pricing can be found on my studio website — www.keithtaylorstudio.com
I’m slowly working my way through processing the film from a recent short trip to the Badlands of South Dakota. I don’t think I’ll ever tire of visiting there.
These are scans from the film originals which were made on Ilford Delta 400 with the Rolleiflex 3.5F and the Mamiya 6 and processed in PMK Pyro. Eventually I’ll get in the darkroom to make gelatin-silver prints from them but I often find it easier and cheaper to scan the film and to edit them in Photoshop, just to give me an idea of how to print them.