The project will involve an small edition of clamshell cases that each hold 58 gelatin-silver prints hand-printed by Peter, which are stunningly beautiful. I’m debossing 4-ply Museum board and dry-mounting the prints into the resulting plate mark. There will also be a title page, statement and colophon. Once I’ve mounted the prints and printed the text sheets I’ll have a better idea of the exact depth required, then I can start making the cases. That number of mounted prints will result in a nice, substantial case that’s about 4.5” deep. I’m going to try and post more images of the production as we progress over the next few weeks!
Just a small section of 300 sheets of Museum board.
This is clamshell case I recently made with artist Lisa Nebenzahl. Besides needing a case to present both her prints and 3D constructions, Lisa wanted to learn the craft of making boxes and cases, so we worked on the project together. The case measures 13.5 x 19.5 x 4” with a removable set of dividers and a panel to separate the prints. It’s finished in Cadet Blue Japanese bookcloth with matte gold foil stamping.
Each of the cases holds a framed Daguerrotype in the base and a small portfolio of platinum-palladium prints on Japanese Kozo paper (both made by Andy Bale) on top. The images are of the Ese’ Eja Nation, an indigenous people living in the Amazonian region of Peru.
Andrew Bale journeyed to Peru’s remote jungles to capture images for a National Geographic-funded project to map the Ese’Eja’s culture.
The project, staffed by videographers, photographers, anthropologists and botanists, aims to enable Ese’Eja society to reclaim ancestral lands from the Peruvian government. That achievement would allow a people that derives so much of its economy and spirituality from the forest to sustain their livelihood into the future.
Bale’s portraits of daily life, handmade objects and individuals will be featured in an upcoming book sponsored by National Geographic’s Genographic Legacy Fund. Sales of the book support initiatives for better access to health care, education and legal grappling to secure the Ese’Eja’s ancestral lands.
Earlier in the year I bit the bullet and bought a Kwikprint hot foil stamping machine. This is used to foil stamp or blind deboss the names and titles onto books, portfolios and cases, pencils, matchbooks and napkins. Although I’d like to draw the line at cases.
You can buy fonts that are type-high and able to take the heat, but those can be quite expensive, as the best are made of brass. Alternatively, you can have magnesium dies made, as I have. With this method you’re not restricted in your choice of fonts and can use any typeface, glyph or logo and besides, magnesium sounds cooler than brass.
It’s a way off yet, but come Christmastime, I expect you’ll all be getting pencils with your names stamped on them.
Here’s the case I made for Twin Cities photographer Chuck Avery recently. It’s for his Roadside Anthropology series and is a 16″ x 20″ clamshell case covered in a steel grey Canapetta book cloth.
